Roziqova Maftuna

Oui ou Non

Parties jouées 5

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À propos de cette activité

Adabiy jarayon

Créé par

maftuna roziqova

Uzbekistan

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Foot and Ankle Anatomy Quiz

Thilaxshi Suresh

United Kingdom

(9)

Test your knowledge of the bones, joints, and muscles of the foot and ankle with this interactive quiz. Answer with ✅ if the statement is correct and ❌ if it is incorrect.
Adjective Checker

Erika Moreno

Ecuador

(14)

In this game, you will have to determine if the adjective provided accurately describes the noun. Test your knowledge of adjectives and see if you can spot the correct matches!
Is it created with Artificial Intelligence? - Complete game

Educaplay Educational Resources

Spain

(17)

Images, songs... Nothing is what it seems anymore. Are they generated with AI, or are they real?
Grammys for best song/record

Educaplay Educational Resources

Spain

(50)

Answer if these songs won the Grammy for Best Song or Record of the Year (the general ones, category Grammys do not count)
Is it true?

Educaplay Educational Resources

Spain

(59)

Answer if the following sentences about general culture are true or not.


Roziqova MaftunaVersion en ligne Adabiy jarayon par maftuna roziqova 1 Karkas - dramatik asarning tashqi qurilishi Yes No 2 Replika - personajlarning gaplari Yes No 3 Remarka - qavs ichida beriluvchi qaydlar Yes No 4 «parda» - asarning turli joyda kechuvchi voqealarni o‘z ichiga oladigan bo‘lak Yes No 5 “Temir xotin” asari pardaga ajratilgan. Yes No 6 «Padarkush» (Behbudiy), «Advokatlik osonmi?» (Avloniy), «Zaharli hayot yoxud ishq qurbonlari» (Avloniy), «Mazluma xotin» (Hoji Muin) Yes No 7 Zamonaviy adabiyotda dramatik asarni pardalarga emas, bir-birini davom ettiruvchi «epizod»larga bo‘lish, spektaklni o‘rtada bitta antrakt (tanaffus) bilan yoki yaxlit ijro qilish an’anasi shakllangan. Yes No 8 XVI — XVII asrlarga kelib dramatik asarlarni parda va ko‘rinishlarga ajratish qoida maqomiga ko‘tarildi. Yes No 9 Katastrofa - yechimga tomon intilish Yes No 10 «Temir xotin» da boshlang'ich holat - peshayvon ustuniga chirmab bog'lab qo'yilgan Qo'chqorning o'ziga kelgan chog'dagi ilk xatti-harakatlari Yes No

Roziqova MaftunaVersion en ligne

Adabiy jarayon

par maftuna roziqova

Karkas - dramatik asarning tashqi qurilishi

Yes

Replika - personajlarning gaplari

Yes

Remarka - qavs ichida beriluvchi qaydlar

Yes

«parda» - asarning turli joyda kechuvchi voqealarni o‘z ichiga oladigan bo‘lak

Yes

“Temir xotin” asari pardaga ajratilgan.

Yes

«Padarkush» (Behbudiy), «Advokatlik osonmi?» (Avloniy), «Zaharli hayot yoxud ishq qurbonlari» (Avloniy), «Mazluma xotin» (Hoji Muin)

Yes

Zamonaviy adabiyotda dramatik asarni pardalarga emas, bir-birini davom ettiruvchi «epizod»larga bo‘lish, spektaklni o‘rtada bitta antrakt (tanaffus) bilan yoki yaxlit ijro qilish an’anasi shakllangan.

Yes

XVI — XVII asrlarga kelib dramatik asarlarni parda va ko‘rinishlarga ajratish qoida maqomiga ko‘tarildi.

Yes

Katastrofa - yechimga tomon intilish

Yes

«Temir xotin» da boshlang'ich holat - peshayvon ustuniga chirmab bog'lab qo'yilgan Qo'chqorning o'ziga kelgan chog'dagi ilk xatti-harakatlari

Yes

Vous pouvez intégrer le jeu dans un LMS compatible avec LTI 1.1 ou LTI 1.3 comme Canvas, Moodle ou Blackboard. Les scores seront ainsi automatiquement enregistrés dans le carnet de notes de la plateforme.

Roziqova Maftuna

Oui ou Non

À propos de cette activité

Créé par

Téléchargez la version pour jouer sur papier

Top Jeux

Oui ou Non

Foot and Ankle Anatomy Quiz

Oui ou Non

Adjective Checker

Oui ou Non

Is it created with Artificial Intelligence? - Complete game

Oui ou Non

Grammys for best song/record

Oui ou Non

Is it true?

Roziqova MaftunaVersion en ligne

par maftuna roziqova

Karkas - dramatik asarning tashqi qurilishi

Replika - personajlarning gaplari

Remarka - qavs ichida beriluvchi qaydlar

«parda» - asarning turli joyda kechuvchi voqealarni o‘z ichiga oladigan bo‘lak

“Temir xotin” asari pardaga ajratilgan.

«Padarkush» (Behbudiy), «Advokatlik osonmi?» (Avloniy), «Zaharli hayot yoxud ishq qurbonlari» (Avloniy), «Mazluma xotin» (Hoji Muin)

Zamonaviy adabiyotda dramatik asarni pardalarga emas, bir-birini davom ettiruvchi «epizod»larga bo‘lish, spektaklni o‘rtada bitta antrakt (tanaffus) bilan yoki yaxlit ijro qilish an’anasi shakllangan.

XVI — XVII asrlarga kelib dramatik asarlarni parda va ko‘rinishlarga ajratish qoida maqomiga ko‘tarildi.

Katastrofa - yechimga tomon intilish

«Temir xotin» da boshlang'ich holat - peshayvon ustuniga chirmab bog'lab qo'yilgan Qo'chqorning o'ziga kelgan chog'dagi ilk xatti-harakatlari

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