The comic

Présentation

The objective of this activity is to learn more about comics, through the presentation, more vocabulary will be learned and cultural knowledge will be expanded.
Through comics, reading can be encouraged, in a fun and easy way.

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comics and culture

vocabulary

presentation

Âge recommandé: 12 ans

3 fois fait

Créé par

Cinthya Gricel Muñoz Medina

Mexico

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27 Septembre 2020

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The comicVersion en ligne The objective of this activity is to learn more about comics, through the presentation, more vocabulary will be learned and cultural knowledge will be expanded. Through comics, reading can be encouraged, in a fun and easy way. par Cinthya Gricel Muñoz Medina 1 The comic 2 WHAT IS A COMIC? WHAT IS A COMIC? Series of vignettes that form a story. The comic has a narrative purpose because it has the drawings what the stories have the words. It is a visual means of verb-iconic narration that communicates the stories of one or more characters. It is a “sequential narration using still images” (Castillo, 2004: 248). That is, through a series of images (made up of drawn caricatures) that are complemented by texts. 3 ORIGIN OF THE COMIC ORIGIN OF THE COMIC It is influenced by the economic, social and cultural characteristics of the society in which it originates. Its history is related to the printing press and the cartoon. 4 ORIGIN OF THE COMIC April 9, 1893 First page of comics in the newspaper "New York World" Character: Yellow Kid (A boy dressed in a long yellow nightgown) Main attraction of the newspaper. Novelty: The vignette became a strip where the texts of this comic were integrated into the vignette as signs, inscriptions on the walls, on the character's nightgown until the text in the form of a balloon was included. 5 CHARACTERISTICS OF THE COMIC CHARACTERISTICS OF THE COMIC Narrative message Verb-iconic language Specific codes Mass communication medium Distractive purpose 6 ELEMENTS OF THE COMIC ELEMENTS OF THE COMIC Visual language: the image Verbal language: the word Conventional signs 7 VISUAL LANGUAGE THE VIGNETTE: It is each picture of the cartoon. THE FRAME: It is to select the part of reality that suits our story to introduce it in the vignettes. THE GREAT PLANES GENERAL PLAN: Describes the environment where the action takes place and the characters are barely perceived. THE PLANES GENERAL PLAN: The references to the environment are less because the human figure takes center stage, which is shown from head to toe. ANGLES: Point of view from which the action is observed. It gives depth and volume to the vignette, it can connote greatness or smallness. Types of angles Normal: or medium angle: at eye level. Chopped: from top to bottom and connotes inferiority. Contrapicado: from bottom to top. It connotes superiority. Zenith angle or absolute dive: absolute perpendicular view of reality. Nadir angle or absolute contrapicado angle: It seeks to give different effects depending on the plane and angle chosen. FORMATS It is the relationship between the frame, the vignette, space and real time. It gives rhythm to the comic. It represents the frame of the paper, it can be rectangular (horizontal or vertical), circular, triangular, square, etc., it implies choosing a size. Colors Within the visual composition of the comic, the application of color can fulfill four functions, namely: figurative, aesthetic, psychological and significant. Figurative to give the image realism. Aesthetic, beautify the image. Psychological, provoke emotions, stimulate feelings. Significant to connote different meanings according to a context. 8 VERBAL LANGUAGE VERBAL PART LINGUISTIC TEXTS Express dialogues and thoughts of the characters. They introduce supporting information on the billboard. They evoke the noises of reality through onomatopoeia. SNACKS In this space the texts that the characters say or think are placed. It has two parts: the top or balloon and the corner or delta that points to the character who is thinking or speaking. The balloon is considered a perfect example of the integration of verbal and iconic components. BILLBOARD AND CARTRIDGE Cartela is the voice of the narrator and is external to the image of the action. It is placed on top of the bullet in a rectangular shape, it may or may not appear. The cartridge links two consecutive bullets. ONOMATOPOEIA Represents the sound, outside or inside the vignette can be placed. RELAY AND ANCHOR Covers jumps in time, so that the chronological sense is not lost. The anchor adds extra information. TYPOGRAPHY That is, the typeface. Generally, the printing type is used. It all depends on the character and the tone you want to express yourself. In a scream the letters are capitalized or large, for example. 9 The comic 10 CONVENTIONAL SIGNS CONVENTIONAL SIGNS VISUAL METAPHOR: It is a graphic convention, that is, a standard accepted by means of a pact and by custom to express an idea through an image. KINETIC FIGURES OR LINES: It is another conventional sign that offers the illusion of movement through the use of stripes, curves, clouds of dust, stones in the air, etc. SIGNS OF SUPPORT: They serve to enrich the expression of the characters in a story. 11 Watch the following video! 12 The End

The comicVersion en ligne

The objective of this activity is to learn more about comics, through the presentation, more vocabulary will be learned and cultural knowledge will be expanded. Through comics, reading can be encouraged, in a fun and easy way.

par Cinthya Gricel Muñoz Medina

The comic

WHAT IS A COMIC?

Series of vignettes that form a story.
The comic has a narrative purpose because it has the drawings what the stories have the words.
It is a visual means of verb-iconic narration that communicates the stories of one or more characters. It is a “sequential narration using still images” (Castillo, 2004: 248). That is, through a series of images (made up of drawn caricatures) that are complemented by texts.

ORIGIN OF THE COMIC

It is influenced by the economic, social and cultural characteristics of the society in which it originates.
Its history is related to the printing press and the cartoon.

ORIGIN OF THE COMIC

April 9, 1893 First page of comics in the newspaper "New York World"
Character: Yellow Kid (A boy dressed in a long yellow nightgown)
Main attraction of the newspaper. Novelty: The vignette became a strip where the texts of this comic were integrated into the vignette as signs, inscriptions on the walls, on the character's nightgown until the text in the form of a balloon was included.

CHARACTERISTICS OF THE COMIC

Narrative message
Verb-iconic language
Specific codes
Mass communication medium
Distractive purpose

ELEMENTS OF THE COMIC

Visual language: the image
Verbal language: the word
Conventional signs

VISUAL LANGUAGE

THE VIGNETTE: It is each picture of the cartoon.

THE FRAME: It is to select the part of reality that suits our story to introduce it in the vignettes.

THE GREAT PLANES GENERAL PLAN: Describes the environment where the action takes place and the characters are barely perceived.

THE PLANES GENERAL PLAN: The references to the environment are less because the human figure takes center stage, which is shown from head to toe.

ANGLES: Point of view from which the action is observed. It gives depth and volume to the vignette, it can connote greatness or smallness.

Types of angles

Normal: or medium angle: at eye level.
Chopped: from top to bottom and connotes inferiority.
Contrapicado: from bottom to top. It connotes superiority.
Zenith angle or absolute dive: absolute perpendicular view of reality.
Nadir angle or absolute contrapicado angle:
It seeks to give different effects depending on the plane and angle chosen.

FORMATS

It is the relationship between the frame, the vignette, space and real time. It gives rhythm to the comic. It represents the frame of the paper, it can be rectangular (horizontal or vertical), circular, triangular, square, etc., it implies choosing a size.

Colors

Within the visual composition of the comic, the application of color can fulfill four functions, namely: figurative, aesthetic, psychological and significant.

Figurative to give the image realism.
Aesthetic, beautify the image.
Psychological, provoke emotions, stimulate feelings.
Significant to connote different meanings according to a context.

VERBAL LANGUAGE

VERBAL PART
LINGUISTIC TEXTS
Express dialogues and thoughts of the characters.
They introduce supporting information on the billboard.
They evoke the noises of reality through onomatopoeia.
SNACKS
In this space the texts that the characters say or think are placed. It has two parts: the top or balloon and the corner or delta that points to the character who is thinking or speaking.
The balloon is considered a perfect example of the integration of verbal and iconic components.

BILLBOARD AND CARTRIDGE
Cartela is the voice of the narrator and is external to the image of the action. It is placed on top of the bullet in a rectangular shape, it may or may not appear. The cartridge links two consecutive bullets.
ONOMATOPOEIA
Represents the sound, outside or inside the vignette can be placed.

RELAY AND ANCHOR
Covers jumps in time, so that the chronological sense is not lost. The anchor adds extra information.

TYPOGRAPHY
That is, the typeface. Generally, the printing type is used. It all depends on the character and the tone you want to express yourself. In a scream the letters are capitalized or large, for example.

The comic

CONVENTIONAL SIGNS

VISUAL METAPHOR:
It is a graphic convention, that is, a standard accepted by means of a pact and by custom to express an idea through an image.

KINETIC FIGURES OR LINES:
It is another conventional sign that offers the illusion of movement through the use of stripes, curves, clouds of dust, stones in the air, etc.

The comic

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Téléchargez la version pour jouer sur papier

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WHAT IS A COMIC?

ORIGIN OF THE COMIC

It is influenced by the economic, social and cultural characteristics of the society in which it originates.Its history is related to the printing press and the cartoon.

CHARACTERISTICS OF THE COMIC

Narrative messageVerb-iconic languageSpecific codesMass communication mediumDistractive purpose

ELEMENTS OF THE COMIC

Visual language: the imageVerbal language: the wordConventional signs

THE VIGNETTE: It is each picture of the cartoon.

THE FRAME: It is to select the part of reality that suits our story to introduce it in the vignettes.

THE GREAT PLANES GENERAL PLAN: Describes the environment where the action takes place and the characters are barely perceived.

THE PLANES GENERAL PLAN: The references to the environment are less because the human figure takes center stage, which is shown from head to toe.

ANGLES: Point of view from which the action is observed. It gives depth and volume to the vignette, it can connote greatness or smallness.

Types of angles

FORMATS

It is the relationship between the frame, the vignette, space and real time. It gives rhythm to the comic. It represents the frame of the paper, it can be rectangular (horizontal or vertical), circular, triangular, square, etc., it implies choosing a size.

Colors

Within the visual composition of the comic, the application of color can fulfill four functions, namely: figurative, aesthetic, psychological and significant.

Figurative to give the image realism.Aesthetic, beautify the image.Psychological, provoke emotions, stimulate feelings.Significant to connote different meanings according to a context.

RELAY AND ANCHORCovers jumps in time, so that the chronological sense is not lost. The anchor adds extra information.

TYPOGRAPHYThat is, the typeface. Generally, the printing type is used. It all depends on the character and the tone you want to express yourself. In a scream the letters are capitalized or large, for example.

CONVENTIONAL SIGNS

VISUAL METAPHOR: It is a graphic convention, that is, a standard accepted by means of a pact and by custom to express an idea through an image.

KINETIC FIGURES OR LINES:It is another conventional sign that offers the illusion of movement through the use of stripes, curves, clouds of dust, stones in the air, etc.

SIGNS OF SUPPORT:They serve to enrich the expression of the characters in a story.

It is influenced by the economic, social and cultural characteristics of the society in which it originates.
Its history is related to the printing press and the cartoon.

Narrative message
Verb-iconic language
Specific codes
Mass communication medium
Distractive purpose

Visual language: the image
Verbal language: the word
Conventional signs

Figurative to give the image realism.
Aesthetic, beautify the image.
Psychological, provoke emotions, stimulate feelings.
Significant to connote different meanings according to a context.

RELAY AND ANCHOR
Covers jumps in time, so that the chronological sense is not lost. The anchor adds extra information.

TYPOGRAPHY
That is, the typeface. Generally, the printing type is used. It all depends on the character and the tone you want to express yourself. In a scream the letters are capitalized or large, for example.

VISUAL METAPHOR:
It is a graphic convention, that is, a standard accepted by means of a pact and by custom to express an idea through an image.

KINETIC FIGURES OR LINES:
It is another conventional sign that offers the illusion of movement through the use of stripes, curves, clouds of dust, stones in the air, etc.

SIGNS OF SUPPORT:
They serve to enrich the expression of the characters in a story.