Relier Pairs Beauty in Classic ArabicVersion en ligne Views of four medieval Islamic philosophers par Karim Youssef 1 true beauty comprises a conjunction of moral, spiritual, intellectual, and even physical characteristics 2 Ibn Rushd 3 mimesis 4 Ibn Hazm 5 beauty 6 meta-aesthetics 7 the universe emanates from the superior divine world 8 beauty 9 Ibn al-Haytham 10 Ibn Sina 11 the concept of beauty is apprehended in ideal and spiritual terms related to 12 inner perception of the ultimate beauty, namely, divine beauty that mold themselves into a kind of perfect being or one that tends toward perfection. recognizes beauty as an objective and visible fact that all objects and beings display in various degrees. light and brightness does not necessarily produce formal beauty but opens a cognitive path and is consequently a reflection of it, graduated in various levels. identifies itself with objective and observable notions of order, structural cohesiveness and physical harmony. a philosophy of sensory experience that does not treat its subject separately, but includes it within the wider area of various orders of questions, the ontological, religious, ethical, and their derivatives. organizes the attributes and qualities assigned to perceptible beauty in a three-tiered hierarchy. stems from the licit enjoyment of the beautiful has to be deduced from a systematic analytical approach of perceptible reality conceived as a coherent and ordered whole. understands that both the earthly sphere and the divine sphere are in a reflexive relationship underpinned by the principle of emanation. called for a hierarchy of nobility instead of beauty
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