Relier Pairs Beauty in Classic ArabicVersion en ligne Views of four medieval Islamic philosophers par Karim Youssef 1 the concept of beauty is apprehended in ideal and spiritual terms related to 2 true beauty comprises a conjunction of moral, spiritual, intellectual, and even physical characteristics 3 inner perception of the ultimate beauty, namely, divine beauty 4 Ibn Hazm 5 Ibn Rushd 6 beauty 7 the universe emanates from the superior divine world 8 mimesis 9 beauty 10 Ibn al-Haytham 11 meta-aesthetics 12 Ibn Sina organizes the attributes and qualities assigned to perceptible beauty in a three-tiered hierarchy. called for a hierarchy of nobility instead of beauty and is consequently a reflection of it, graduated in various levels. identifies itself with objective and observable notions of order, structural cohesiveness and physical harmony. that mold themselves into a kind of perfect being or one that tends toward perfection. recognizes beauty as an objective and visible fact that all objects and beings display in various degrees. stems from the licit enjoyment of the beautiful a philosophy of sensory experience that does not treat its subject separately, but includes it within the wider area of various orders of questions, the ontological, religious, ethical, and their derivatives. has to be deduced from a systematic analytical approach of perceptible reality conceived as a coherent and ordered whole. does not necessarily produce formal beauty but opens a cognitive path light and brightness understands that both the earthly sphere and the divine sphere are in a reflexive relationship underpinned by the principle of emanation.
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