freely
appreciation
banked
intricacies
pleasures
waterweed
bare
notation
Hitchens
air
lake
deep
artists
clarity
formulas
unravel
Warnford
subject
jacket
sea
lake
design
canvas
pathway
rules
meaning
place
Moore
ear'
just
structure
light
purplish
calligraphic
label
canvas
painter
artist
scene
message
depths
perspectives
cool
sketch
tune
shadow
type
lake
forms
race
note
essential
depth
circumspect
paint
morning
arm
black
Nature
bathing
absorbed
expressionist
literal
light
Hepworth
synonymous
fluctuations
photo
eye
tune
clear
destroy
ochre
companions
fall
reactions
right
Nicholson
winter
paintbox
paint
no
outsider
tree
sand
trout
impressionist
clear
mackintosh
stream
pinkish
tie
fall
again
subject
wind
sensuously
silences
psychological
pool
time
A
1931
____________________
of
a
summer
____________________
party
in
Norfolk
shows
____________________
alongside
some
of
the
most
promising
____________________
of
the
____________________
:
Henry
____________________
,
Barbara
____________________
and
Ben
____________________
.
Whereas
his
____________________
are
seen
stripped
partly
____________________
in
pursuit
of
____________________
of
sun
and
____________________
,
Hitchens
himself
appears
a
____________________
____________________
,
attired
in
____________________
,
jumper
and
____________________
,
carrying
a
____________________
over
his
____________________
.
He
resisted
being
stereotyped
as
any
particular
____________________
of
____________________
?
an
____________________
,
or
,
latterly
,
some
kind
of
abstract
____________________
?
saying
?
No
____________________
should
____________________
himself
.
That
is
for
others
to
do
?
A
painter
should
have
____________________
____________________
or
____________________
.
?
Setting
up
his
____________________
and
____________________
in
the
open
____________________
,
he
sought
?
first
to
____________________
the
____________________
____________________
of
my
____________________
,
which
is
____________________
with
its
____________________
,
and
to
understand
my
own
____________________
____________________
to
it
?
.
He
would
then
usually
____________________
a
quick
____________________
,
followed
by
?
a
careful
,
well
-
knit
____________________
?
,
which
he
would
then
____________________
,
only
to
start
all
over
____________________
on
the
____________________
,
?
painting
____________________
,
regardless
of
the
____________________
proportions
of
____________________
?
.
He
wrote
elsewhere
,
?
I
should
like
things
to
____________________
into
____________________
with
so
____________________
a
____________________
that
the
spectator's
____________________
and
?
aesthetic
____________________
shall
receive
a
____________________
____________________
,
a
clear
____________________
.
?
It
is
the
quite
____________________
clarity
of
his
application
of
____________________
?
a
broad
swathe
of
____________________
____________________
,
say
,
to
evoke
a
stretch
of
____________________
in
the
early
____________________
,
or
a
succession
of
broad
brushstrokes
(
____________________
,
russet
and
____________________
)
describing
the
____________________
,
recessive
____________________
of
a
woodland
____________________
in
____________________
?
that
delivers
in
his
paintings
____________________
the
____________________
____________________
,
?
a
clear
____________________
?
.
The
spectator
of
Hitchens'
landscapes
feels
____________________
in
a
____________________
intuitive
____________________
of
____________________
,
its
enigmatic
____________________
and
____________________
,
its
thrilling
____________________
of
____________________
,
tone
and
____________________
,
its
swimming
____________________
.
Hitchens'
best
paintings
conjure
up
with
acute
____________________
the
richly
layered
____________________
of
a
particular
____________________
.
For
example
,
in
a
series
of
eight
paintings
of
____________________
Water
,
a
____________________
-
fringed
____________________
,
he
aimed
to
evoke
,
in
different
ways
,
?
four
entities
,
forming
the
whole
____________________
?
.
These
main
themes
were
the
____________________
itself
(
?
swept
by
____________________
ripples
and
glaring
____________________
?
)
;
a
?
swift
-
flowing
water
____________________
tumbling
in
a
small
____________________
?
over
a
bank
;
?
the
____________________
,
cool
,
clear
____________________
____________________
below
?
;
and
?
leading
out
from
this
pool
,
the
winding
____________________
,
____________________
-
____________________
,
strung
with
____________________
?
.